Amazon.com ReviewYou've got to feel sorry for Sarah Connor. Try as she might, she just can't seem to finish off Cyberdyne Systems--the eventual progenitor of the malevolent super-AI Skynet--with any sort of finality, despite blowing up their headquarters in Terminator 2. And every time she turns around, there's yet another pesky Terminator who has just beamed back through time to finish off her son John, who (as we all know) is humanity's only hope in the machine-controlled future.Skynet and its minions chalk this up to the persistence of "several alternative world-lines" coexisting in "a state of quantum superimposition." But how's this for an explanation: it's fun to watch Sarah, John, and company run from, then run to, then ultimately beat up on Terminators, and as long as there's an interested audience, Skynet will keep sniffing out these devilish little temporal loopholes.Military-SF juggernaut S.M. Stirling takes the helm in a "fully authorized" new series that picks up where T2 left off: mom and son are on the lam in Paraguay, lying low and running a shady trucking company. Then a retired spook moves in next door, a burly Austrian type who--get this--looks just like Arnold Schwarze... um, the 800 Series Model 101. The harried John and mom, paranoid by necessity, suspect something's afoot and soon find themselves embroiled in yet another adventure involving this mysterious new stranger, the old family of Miles Dyson (the Cyberdyne scientist who took it in the kisser in T2), and a super-sexy I-950 whom Skynet has sent back in time to set things straight.Now realize that just because this sequel is "official" and "fully authorized" doesn't necessarily mean that the story lines will jibe with the T3 movie--assuming it ever comes out. But, of course, any discrepancies can just be blamed on yet another temporal anomaly. --Paul HughesFrom Publishers WeeklyBased on the world created in the motion picture written by James Cameron and William Wisher, this superior franchise fiction is the next best thing to Terminator 3. Stirling (Against the Tide of Years, etc.) is a skillful writer of action SF who has studied both the first Terminator (1984) and Terminator 2: Judgment Day (1991) carefully. He gets the details right, and he's also thought about how, after two failures, the evil master computer of the future would modify the robots it sends back in time to kill its nemesis before he grows up. The new Terminator is female, mechanically and genetically enhanced but able to masquerade as a normal woman. She interacts with and attempts to manipulate a large cast of characters that includes, naturally, Sarah Conner and her now-teenaged son, John. Mother and son imagine they're safely hidden in Paraguay, their anti-machine crusade over, until they are noticed by a retired secret agent who happens to be a double for the nasty Arnold Schwarzenegger/first Terminator. When he innocently discovers who they are, the new Terminator also finds out and sends mechanical assassins after them. And the novel, which has been moving along steadily and efficiently, shifts into high gear. Stirling structures the plot well, and the action builds to a gripping climax which doesn't really conclude much, since this series obviously is intended to run many more books. If they're done this well, it will be an enjoyable ride. (May 8)Forecast: Robots from the future won't be able to stop this sequel to the $204-million domestic grossing T2 film from charging up genre bestseller charts.Copyright 2001 Cahners Business Information, Inc.

A terrible accident has left little Keefer orphaned but not unwanted. Devastated by his beloved sister's tragic death, twenty-four-year-old bachelor Gordon McKenna assumes that he will be entrusted with raising his niece, whom he has grown extremely close to over the few precious months of Keefer's life. But the child's paternal grandparents have different ideas—and a fierce legal battle ensues that will test the capacity and limitations of family love again and again . . . and no one will emerge from it unscathed or unchanged. Jacquelyn Mitchard, whose powerful, emotionally rich novels have won resounding critical acclaim and a wide, enthusiastic audience worldwide, brings us a soaring, heartbreaking, and unforgettable tale of love and the bonds that unite us all.

"I guess it does look like a poem when you see it typed up like that." Jack hates poetry. Only girls write it and every time he tries to, his brain feels empty. But his teacher, Ms. Stretchberry, won't stop giving her class poetry assignments -- and Jack can't avoid them. But then something amazing happens. The more he writes, the more he learns he does have something to say.

SUMMARY: In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes.Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves--appearing, to those with the sight to see them, as hard and dangerous men, invariably dressed in black.Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spirit world. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the Southwestern desert of her youth. Outsider her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them--until the night one follows her to the woods, and takes her hand....Ellie, an independent young sculptor, is another with magic in her blood, but she refuses to believe it, even though she, too, sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King--another thing Ellie does not believe in. Yet lack of belief won't dim the power of the mast, or its dreadful intent.Donal, Ellie's former lover, comes from an Irish family and knows the truth at the heart of the old myths. He thinks he can use the mask and the "hard men" for his own purposes. And Donal's sister, Miki, a punk accordion player, stands on the other side of the Gentry's battle with the Native spirits of the land. She knows that more than her brother's soul is at stake. All of Newford is threatened, human and mythic beings alike.Once again Charles de Lint weaves the mythic traditions of many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets.

With two weddings on Beach Drive, Danielle's plan to temporarily close Marlow House Bed and Breakfast is put on hold. Not everyone showing up on Marlow House's doorstep is a welcome wedding guest. Nor is everyone from the living world.

The third volume in Gary Jennings' historical epic that began with Aztec and Aztec Autumn. In this colorful and exciting era of swords and cloaks, upheaval and revolution, a young beggar boy, in whose blood runs that of both Spanish and Aztec royalty must claim his birthright. From the torrid streets of the City of the Dead along the Veracruz Coast to the ageless glory of Seville in Old Spain, Cristo the Bastardo connives fights, and loves as he seeks the truth—without knowing that he will be the founder of a proud new people. As we follow the loves and adventures of Cristo and experience the colorful splendor and barbarism of the era, a vanished culture is brought back to life in all its magnificence. “This exotic, sensuous novel works on many levels. It is at once history, mystery, and a coming-of-age novel all permeated by the teeming world of seventeenth century Mexico as seen through the eyes of a teenage boy.” -- Library Journal

I am not who I thought I was. I am not a regular sixteen-year-old girl. I am a witch. A real, ancestral witch. My parents are not my biological parents. My sister and I share no blood. Even in the coven, I am too powerful now, too different to belong. I am alone except for Cal. Cal tells me he loves me, and I need to believe him.

Spenser creator Robert B. Parker returns with his newest heroine, Boston P.I. Sunny Randall, coming to the aid of three very different women in three very dangerous situations. One is for business. One is for a friend. One is for family. And all could be fatal...

The New York Times has called Elmore Leonard "the greatest crime writer of our time, perhaps ever." Of course, there's much more to his writing than just crime, and there's no better way to show the broad range of this author's talents than with a collection. It offers variety for diehard fans and is a great sampler for readers who've been looking for the best place to start. In When the Women Come Out to Dance, you'll find terrific crime stories (of course) that offer perspectives from both sides of the law, plus baseball, a western, and more. In all, there are nine stories, some short and some long, some contemporary and some historical, each showcasing this talented author's understanding of human foibles and of the ways they can blur the line between right and wrong. These stories have never been collected before in one volume, and the title story, "When the Women Come Out to Dance," is brand new. Leonard writes about arson in "Sparks," aging in "Hanging out at the Buena Vista," and baseball in "Chickasaw Charlie Hoke." Conspiracy to murder offers a permanent solution to an unhappy marriage in "When the Women Come Out to Dance." Raylan Givens (from Riding the Rap and Pronto) sees a new side to an old friend in "Fire in the Hole," while federal marshal Karen Sisco (from Leonard's bestselling novel Out of Sight) mixes business with pleasure in "Karen Makes Out." The past offers a backdrop in "Hurrah for Capt. Early" and "The Tonto Woman," and life, death, and the movie business get a workout in "Tenkiller." Whether writing humorously or poignantly, in action-packed episodes or laid-back descriptions, Leonard's remarkable talent rings true in every detail of this excellent collection. Sue Stone

When Genevieve Ahrens moves into the charming community of Glenbrooke, she revives the downtown area by purchasing the Wallflower Restaurant and making it a town favorite. But Gena's heart needs some renovation of its own when her daughter marries and Gena is back in touch with her estranged husband. All of her advice to a young friend about forgiving and trusting God to heal the hurt haunts her as she and Stephen talk through what went wrong in their marriage. Will the pain-filled couple experience the joy of God's redeeming grace or the agony of divorce? Genevieve has been married for over half her life…so how can she suddenly fall deeply in love for the very first time? Genevieve Ahren’s dream is coming true at last! Glenbrooke’s Wildflowers Cafe goes up for sale and Genevieve knows she can make it into something special. However, her new venture is far from easy. With her husband gone so often due to his career as an international airline pilot, Genevieve is alone in making all the important decisions. Her heart is empty and hollowed out...like an isolated cottage boarded up for a long winter season. It’s in the solitude of this dark season that Genevieve discovers friends she didn’t realize she had. When this small circle of tender-hearted women rally around her, Genevieve finds light streaming in through the door of her heart. A door she thought she had locked and bolted long ago. The biggest surprise of all is when Genevieve realizes she is giddily in love—with the last man she expected could make her feel this way!

Journalist Lizzie McPhee has always thought of beauty as a case of mind over matter – if you don't mind, it doesn't matter.But all that changes when she begins the countdown towards the big 4-0. Suddenly, she's comparing her butt buoyancy to that of women on billboards and worrying about wrinkles.But the pitter-pitter-pat of tiny crow's feet is soon the least of Lizzie's worries. In the space of twenty four hours, she is replaced as news anchor by a young himbo who keeps fit by doing step aerobics off his own ego. And then she catches her surgeon husband Hugo cheating with catty soap actress Britney Amore – a woman whose bra cup size is bigger than her IQ.Suddenly, Lizzie is in free fall. Can she turn back the clock, and win back her life? Or will she discover there's a better way to grow older gracefully?Praise for Kathy Lette: 'Fabulous, fast-paced, funny & unapologetically female. Nobody does it better.' DEBORAH FRANCES-WHITE, THE...